Trickhouse Live: An Integrative Arts and Performance Series
w/Justin Bigos, Erin Stalcup, Bojan Louis, & Sara Sams
www.trickhouse.org
Trickhouse Live is co-organized by TC Tolbert, Assistant Director of Casa Libre and Noah Saterstrom, founder/ curator of Trickhouse.org.
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Tuesday, October 14
7-9 p.m.
$5 Suggested Donation
in·te·gra·tive adj \ˈ in-tə- ˌ grā-tiv\
combining and coordinating diverse elements into a whole
Trickhouse Live is an integrative arts series that brings together people working with words, images, sounds, videos, and a variety of performances. The series serves as a venue for visiting artists to interact with local artists and for the borders between genres and mediums to be permeable. Trickhouse Live is a physical world extension of the online cross-genre arts journal, Trickhouse.org which is based in Tucson.
Performer Bios
Justin Bigos is the author of the poetry chapbook Twenty Thousand Pigeons (iO 2014). His poems have appeared in magazines such as Ploughshares, New England Review, and The Collagist, and his short fiction has appeared in Ninth Letter and McSweeney's. He teaches creative writing at Northern Arizona University and co-edits Waxwing magazine.
Erin Stalcup’s short stories have appeared in The Kenyon Review, Kenyon Review Online, The Sun, [PANK], H_NGM_N, Hinchas de Poesía, Puerto del Sol, Novembre (Swiss), and elsewhere. Erin received her MFA from Warren Wilson College’s Program for Writers. After a decade of teaching in community colleges, universities, and prisons in New York City, North Carolina, and Texas, she recently returned to her hometown of Flagstaff, where she has joined the creative writing faculty at her alma mater, Northern Arizona University.
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Bojan Louis is a member of the Navajo Nation — Naakai Dine’é; Ashiihí; Ta’neezahnii; Bilgáana. His poems have appeared or are forthcoming in The Kenyon Review, Platte Valley Review, Hinchas de Poesía, American Indian Research and Culture Journal, and Black Renaissance Noire; his fiction in Alaska Quarterly Review and Yellow Medicine Review; his essays in As/Us Journal. He is the author of the nonfiction chapbook, Troubleshooting Silence in Arizona (Guillotine Series, 2012). He has been a resident at The MacDowell Colony. He earns his ends and writing time by working as an electrician, construction worker, and teaching fiction writing and first-year composition at Arizona State University and Phoenix College. He is Co-editor of Waxwing, a new on-line literary magazine and organizer of the reading series for la Phoenikera Writer’s Guild.
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Sara Sams is a poet, translator, and editor from Oak Ridge, Tennessee. While she writes about Appalachian lore and the local legends of her hometown (the Manhattan Project’s “Secret City”), she found she needed to travel far from home in order to better explore her own region’s history. To that end, she has taught English in Granada, Spain and creative writing at the National University of Singapore. She currently teaches composition for second language learners at Arizona State University, works as Translations Editor for Waxwing Magazine, and promotes the literary arts in Phoenix with la Phoenikera Writers' Guild (laPWG).
Past Events:
May 2014 x2
May 2014
Feb 2014
Jan 2014
Oct 2013
Sept 2013
May 2013
April 2013
March 2013
Feb 2013